When Will Power won the 102nd Indianapolis 500 on May 27, the first step in having his face sculpted on the Borg-Warner Trophy began the morning after his big win when close-up photos were taken of his face.

Those photos are what famed sculptor William Behrends used to create a full-size soft clay image of Power’s face.

On Thursday at Behrends’ art studio at his spectacular home on the hillside of the Blue Ridge Mountains in Tryon, North Carolina, Power saw the clay sculpture for the first time. The clay sculpture is used to create the sterling-silver likeness that will be affixed to the Borg-Warner Trophy.

This year’s Indy 500 winner for Team Penske was surprised to see his face looking back at him.

“It’s a strange feeling because you aren’t used to looking at yourself in this way,” Power said. “You’re used to seeing your face reversed when you look in the mirror.

“This is the way I really look, but not the way I look to myself.”

Power traded in his racing uniform at Team Penske to become an art model Thursday at Behrends’ studio. As he sat in the chair, Behrends skillfully and artfully worked on the clay sculpture to put final touches on Power’s face. This is what makes an artist an artist, and when it comes to this type of work, there are none better than Behrends.

He has sculpted the face of every Indianapolis 500 winner since Arie Luyendyk in 1990. Power’s is the 29th face that Behrends has made for the iconic trophy that features the bas relief likeness of every winner of “The Greatest Spectacle in Racing.”

“It’s a lot of fun to add a new face on the trophy,” Behrends said. “That’s one of the best parts for me, to do a new face and meet a new driver and get to know them a little bit. That makes it exciting for me.”

Power won his first Indianapolis 500 driving the No. 12 Verizon Team Penske Chevrolet to victory. It was the 17th Indianapolis 500 win for team owner Roger Penske, the most for any team in the race’s illustrious history.

Behrends has made the facial likenesses for 10 of Penske’s 17 Indy 500 wins with eight drivers.

“I’m very proud to have done over half of them for Team Penske,” Behrends said. “Seventeen wins is amazing, and I’m honored to have been doing their faces on the trophy.

“Penske is like our local team here. They are located 90 miles away in Mooresville, North Carolina, so that is kind of cool. This is special to do this face on a driver from our local team.”

Australia native Power is also a North Carolina driver as he lives on Lake Norman, in Troutman, North Carolina.

“Will Power has a very interesting face, great features, and he’s very distinctive,” Behrends said. “He is a wonderful subject for a sculptor. And he’s a new face, too. It’s always interesting and challenging to take on a new face and see what I can do with it.”

When Behrends started making the faces for the Borg-Warner Trophy in 1990, he thought he would get in trouble for making Luyendyk’s hair as long as it was at the time.

“Arie had very long hair, and I decided to go with that,” Behrends said. “It was very unconventional what had been on the trophy previously.

“Apparently, Borg-Warner didn’t mind it too much because they have had me back every year since.”

Behrends watched the Indianapolis 500 in the Borg-Warner Suite at Indianapolis Motor Speedway. He keeps a keen eye on every driver because one of them will be someone he gets to know very well as the process of making the face on the trophy begins.

“Aside from the excitement of the race, it’s really exciting for me on race day because they aren’t just drivers and competitors, these are personalities and people, some that I know,” Behrends said. “But to see a driver like Will finally win after he has been so competitive for so many years, for him to finally have all those years pay off and win the race was real exciting for me.

“I feel like I knew him, and now I have the opportunity to get to know him as a person. It’s rewarding as a person and an artist.”

Behrends was happy to see the reaction in Power’s sculptured face when he unveiled it.

“When I saw it for the first time, it was weird looking at myself almost in real life,” Power said. “It was very cool.

“He did a really good job making me look good. I thought I was way worse looking than that. I’m very happy with it.”

As Power sat in the chair, with Behrends continuing working on the details of his face, he thought the entire experience was “very cool.”

“It’s amazing sitting here watching my face get sculpted, knowing it will be on the Borg-Warner Trophy,” Power said. “To know that it was win No. 17 for Roger Penske, he was very excited, like it was the first time he won the Indy 500 with Mark Donohue in 1972.

“To see Roger’s face in victory lane at the Indianapolis 500 is amazing.

“You think about the effort for Indianapolis, it starts the week of the final race of the season. You start thinking about the Indy 500, especially at Penske. You put so much weight on that race. Roger puts more emphasis on that than winning the IndyCar Series championship.”

The emotions that come with winning are many, and Power experienced all of them after he won his first Indy 500.

“There is no experience like the experience I had in victory lane there,” Power said. “The amount of cameras that were there, the bagpipes playing and the amount of people around, there was nothing like it anywhere I’ve ever been.

“It’s an amazing thing to win.”

On Dec. 5 at the IMS Museum, Power will get to see the finished product when the sterling-silver sculpture of his face, about the size of an egg, is officially unveiled on the Borg-Warner Trophy.

The 103rd Running of the Indianapolis 500 is scheduled for May 26, 2019.